[text available in French only], the art critic and curator (and member of the Editorial comity of ESPACE art actuel magazine) Bénedicte Ramade publishes a review of the play Kalakuta Republik, by the artist and choreographer Serge Aimé Coulibaly. The show is presented as part
Since 2017, Gallery 17/18, an exhibition space in the building that houses the Embassy of the Czech Republic, in Ottawa, has presented exhibitions featuring a Czech and a Canadian artist together. This salon-type space (…)
[texte available in french only], the art critic and curator (and both Director and member of the Editorial comity of ESPACE art actuel magazine) André-Louis Paré publishes a review of the play Nos guettos, by the artists Jean-François Nadeau + Stéfan Boucher. The play is
[texte available in french only], the art critic and curator (and both Director and member of the Editorial comity of ESPACE art actuel magazine) André-Louis Paré publishes a review of the performance Oblivion, by the artist Sarah Vanhee. The performance/art installation is presented as part
The presentation of Ivo van Hove’s Kings of Wars at the 2018 FTA festival was a much anticipated event in Montreal. A boisterous standing ovation at the end of the play’s opening night performance sent a clear (…)
[texte available in french only], the art critic and curator (and member of the Editorial comity of ESPACE art actuel magazine) Bénédicte Ramade publishes a review of the film Union of the North, written by the artist Matthew Barney, directed by the choreographer Erna Ómarsdóttir and
Created in 2006 in memory of Jean-Pierre Latour (1951-2005), the Jean-Pierre-Latour Prize is awarded yearly to a graduate or under-graduate student studying at École Multidisciplinaire de l’images (ÉMI) in order to encourage the development of critical thought in writing a text related to practices of
MacLaren Art Centre
Barrie, Ontario
December 4, 2014—
March 8, 2015
To say we live in a society utterly devoted to the superficial, to the surfaces of things, certainly isn’t the most profound thing one
AXENÉO7
Gatineau
December 17, 2014—
February 7, 2015
Presenting an exhibition of new site-specific work at AXENÉO7 titled Something that accompanies one everyday and everywhere, Montreal artist Nicolas Fleming combines unusual display tactics to re-image
Galerie Antoine Ertaskiran
Montréal
October 15—
December 6, 2014
“A profound dissonance” is how Giorgio Agamben explains the condition of being contemporary. He continues: “the contemporary is he who firmly holds his gaze on his
White Cube
London
July 18—
September 28, 2014
Hybrid body parts, severed limbs and phallic figures populate Rachel Kneebone’s 399 Days (2012-2013). Towering over visitors as they enter the White Cube’s 9x9x9 gallery space
Ingleby Gallery
Edinburgh
June 27—
October 4, 2014
These last couple of months have been quite busy for the Glasgow-born, Berlin-based artist Katie Paterson. Her first major solo exhibition in Britain took place at Ingleby