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Restituer l’archive de l’éphémère : la performance et ses traces mémorielles
David Altmejd. Agora
No. 142 - Winter 2026
Prophecy: Thinking at the edge of reason
Small File Media Festival
De l’espace intersidéral à l’espace public : retour sur From the Cosmos to the Commons au Planétarium de Hambourg
Carolyne Scenna, SODIUM
Lynn Kodeih, Even Light is a Few Minutes Late
Sarah Maloney’s Pleasure Ground: A Feminist Take on the Natural World
Santiago Tamayo Soler, Building worlds in between
Bonavista Biennale : String Games
No. 141 - Fall 2025
Art and Minerals: Towards a Decentring
De la minéralité pour révéler « le rien »
Tendresse!
Pamela Nelson, Smooshes, Slabs & Slumps
Re:generative
Asunción Molinos Gordo, The Peasant, the Scholar and the Engineer
Laura Peturson and Andrew Ackerman, Keeping Time
Maryse Goudreau, Dans l’œil du béluga
Geneviève Matthieu, Danseprophétiqueàl’îlebizarre
Gabriel Mondor, Projet SAMOHT et Brûlures abstraites
Une œuvre asphyxiante : A Tribute to Toronto
Affections diasporiques
No. 140 - Spring-Summer 2025
Something in the Air
Exposer pour manifester, Narrative Power Alliance : Exhibition
Tschabalala Self, Around the Way
François Mathieu, Architectures éphémères – Les bancs
Anita Molinero, Plastic Butcher
Educating Our Desires, equity-deserving action within artist-led spaces
Récits de la création du monde : Exposition bilan de la Biennale d’art contemporain autochtone 2024
Art Must Be Artificial: Perspectives of AI in the Visual Arts
No. 139 - Winter 2025
Art on the Web of Value
Playing with Fire, The Cave Art of Nadine Faraj
Zoom Art — Poussières d’étoiles
Sous la surface : une étude solaristique
Charline Dally, this womb of things to be
Matrilineal Hauntings: Ceramics by Kathy Kranias
Entretenir le brasier, Biennale de sculpture de Saint-Jean-Port-Joli
and Counting de Wafaa Bilal : le corps-mémorial
No. 138 - Fall 2024
The Process of Mourning, Between Forgetting and Remembering
NIGAMON/TUNAI : le chant de la forêt, des pierres et des oiseaux
Stranieri Ovunque – Foreigners Everywhere, 60e édition de la Biennale de Venise
Paysage à bercer: une sculpture d’André Du Bois
Navid Navab, in collaboration with Garnet Willis, Organism + Excitable Chaos
Théo Bignon, Double entendre
La musique qui nous entoure : le parcours sonore du Festival international de musique actuelle de Victoriaville
Catalog of Ruins
No. 137 - Spring/Summer 2024
The Birds That Remain
Mélissa Longpré, J’ai pensé à toi
Tracing Labor Territories
Étienne Tremblay-Tardif, Société-écran
Marie-Claude Gendron, Faire mon lit
Gabi Dao, Hold these questions close
Rirkrit Tiravanija, Jouez/Play
The Architecture of Departure
No. 136 - Winter 2024
Building: Finding an Urban Ethics
Corps sensibles : cartographier l’intime
Symposium L’effet Humboldt V : alimenter le feu
Horizons nouveaux
Sur l’américanité et autres expériences d’appartenance / On Americanity & Other Experiences of Belonging
Chaînes de montage d’œuvres : entretien avec Morgan Legaré
No. 135- Fall 2023
The Futures of Smell
Sexe + Désirs + Data
Marcia Pitch, The Invisible Woman
No. 134 - Spring - Summer 2023
Thinking About Pornography in a Different Way
FIFA 2023: Afterimages and Reflections
Ice Follies
MAHKU (Movimento dos Artistas Huni Kuin), Vende tela, compra terra
No. 133 - Winter 2023
Neurodiversity: Recognizing difference
n° 132 - Autumn 2022
Enfleshing Flesh: An Interview with Mlondolozi (Mlondi) Zondi
Justine Skahan, De l’intérieur vers l’extérieur
Mathieu Beauséjour, Demi-monde
Stan Douglas: 2011 ≠ 1848
No. 132 - Fall 2022
Aesthetics/Ethics of the Flesh
Solace and Wakeup Calls: the 59th Venice Biennale
No. 131 - Spring - Summer 2023
Poetics of the voice
Miles Greenberg, Late October
No. 130 - Winter 2022
Space in the feminine
No. 129 - Fall 2021
Redefining Museums
n° 128 Spring-Summer 2021
Parc Offsite: An Interview with Eli Kerr
No. 128 - Spring - Summer 2021
It’s all happening so fast
no. 127 - winter 2021
Re-territorializing Public Space
No. 125 - spring-summer 2020
Interview with karen elaine spencer
No. 126 - fall 2020
Massimo Guerrera, Domus (Se rencontrer vraiment) (2017)
No. 126 - fall 2020
Laboratory thinking
No. 116 - spring-summer 2017
Machine Edge: An interview with Erika Lincoln
No. 125 - spring-summer 2020
Dictatorships in the neoliberal age
No. 125 - spring-summer 2020
karen elaine spencer, always the same, 2013
No. 118 - winter 2018
Sculpture of Steel, City of Nerves. A review of Dendrites by Michel de Broin
No. 122 - spring-summer 2019
De la destruction : un entretien avec Jean Pierre Raynaud
FIFAFIFA 2020
FIFA 2020 | Stéphane Ghez : Charlotte Perriand, pionnière de l’art de vivre
FIFAFIFA 2020
FIFA 2020 | Joris Gijsen : Wild Gene
No. 124 - winter 2020
Creating in the Era of Artificial Intelligence
No. 124 - winter 2020
Landscape Past Future: An interview with Adam Basanta
No. 124 - winter 2020
Adam Basanta, Collaged 19th century photographic landscapes with trees, palms, and observers, 2019
No. 124 - winter 2020
Inordinate Images.
On the machine aesthetics of AI-based art
On the machine aesthetics of AI-based art
2020 Fundraising Campaign
Displacement, destruction, protection: views on endangered heritage (about a round table on Dominique Blain’s exhibition).
COZIC. Over to You. From 1967 to Now
Alexis Bellavance, Sarah Wendt + Pascal Dufaux at AXENÉO7
Dialogues avec l’histoire
No. 123 - fall 2019
Shadow of Clear Glass: Wyn Geleynse and Iñigo Manglano-Ovalle
No. 123 - fall 2019
Transparency
Rencontres photographiques en Gaspésie : une 10e édition éclectique et conviviale
FTA
FTA 2019 | Stefan Kaegi: Granma. Trombones from Havana
FIMAV
FIMAV 2019 | L’art sonore au Festival international de musique actuelle de Victoriaville
FTA
FTA 2019 | Daria Deflorian + Antonio Tagliarini: Quasi niente
FTA
FTA 2019 | Wajdi Mouawad: Tous des oiseaux
FTA
FTA 2019 | Serge Aimé Coulibaly: Kalakuta Republik
No. 122 - spring-summer 2019
Destruction/Creation in the Age of Capitalism
No. 122 - spring-summer 2019
Smashing Vases: Ceramics and the Aesthetics of Destruction in Works
by Ai Weiwei and Liu Jianhua
by Ai Weiwei and Liu Jianhua
Karen Kraven and Radek Brousil, Whrrr Whrrr.
No. 121 - winter 2019
Fevered Sleep’s Sheep Pig Goat
No. 121 - winter 2019
To create with animals or not
No. 120 - fall 2018
Pour une propédeutique des para-espaces dans l’œuvre de Jeremy Shaw
No. 120 - fall 2018
Art and Psychoactives
FTA
FTA 2018 | Jean-François Nadeau + Stéfan Boucher, Nos ghettos
FTA
FTA 2018 | Sarah Vanhee: Oblivion
FTA
FTA 2018 | Whispers and Thunders in the Halls of Power
FTA
FTA 2018 | Union of The North : Matthew Barney, Valdimar Johannsson & Erna Omarsdottir
No. 119 - spring-summer 2018
Space in question
No. 118 - winter 2018
Crisis and Circulation: The Representation of Flows in Teresa Margolles’ Recent Work
No. 118 - winter 2018
Empathetic Responses: Emily Falencki and Eric Fischl
No. 118 - winter 2018
Redress?
No. 117 – fall 2017
Emotions and Visual Arts
Henrique Oliveira – Being & Form
No. 116 - spring-summer 2017
Sculpture in the Digital Age
No. 115 – winter 2017
Motionless Bodies in a World on the Go
No. 114 – fall 2016
Face Politics
No. 114 – fall 2016
Édition/Forme/Expérimentation : Rethinking the book
No. 114 – fall 2016
‘Making Faces Our Weapons’: Biometrics, Identity, and the Potential of the Visage
No. 113 – spring-summer 2016
Fetishes: When the Object Becomes Thing
No. 112 – winter 2016
Art, Memory and Truth
No. 111 – fall 2015
Borders 101
No. 111 – fall 2015
Migrations, Borders and… Creation
No. 111 – fall 2015
Aram Han Sifuentes: The Politics of an Immigrant
No. 110 – spring-summer 2015
Ecology: Between Ethics and Aesthetics
No. 110 – spring-summer 2015
Ecological Art: Pushing the Limits of the Exhibition
No. 110 – spring-summer 2015
Black Gold: The Esoteric and the Ecological
No. 110 – spring-summer 2015
Nature in Brackets: The Position of an Art Centre
No. 110 – spring-summer 2015
Plastic Undone: Montalti’s Ephemeral Icons
No. 110 – spring-summer 2015
World of Matter, or Complex Thought about Terrains
No. 110 – spring-summer 2015
The Cloud in Video: Notes on Isabelle Hayeur’s Aftermaths
No. 110 – spring-summer 2015
Nicolás Uriburu: Greenpeace to the Rescue!
No. 110 – spring-summer 2015
Rhonda Weppler and Trevor Mahovsky: Veneers
No. 110 – spring-summer 2015
Nicolas Fleming: Something that accompanies one everyday and everywhere
No. 110 – spring-summer 2015
Jon Rafman: A Profound Dissonance
No. 110 – spring-summer 2015
Milutin Gubash, exhibition catalogue
No. 109 – winter 2015
The Diorama: Fascinating, Provocative and Educational
No. 109 – winter 2015
Starving of Sudan by Xu Zhen: Epistemology and Pragmatics of the Diorama
No. 109 – winter 2015
Dominique Gonzalez-Foerster and the Persistence of the Diorama
No. 109 – winter 2015
Bête Noire by Kent Monkman. Revenge by Diorama
No. 109 – winter 2015
The Diorama as Artistic Process
No. 109 – winter 2015
Vicky Sabourin’s Stagings
No. 109 – winter 2015
Bois d’Œuvre, Rendez-vous au Cœur de l’Ouvrage. The Saint-Jean-Port-Joli Biennale
No. 109 – winter 2015
Rachel Kneebone: 399 Days
No. 109 – winter 2015
Katie Paterson: Ideas That Are Out There
No. 109 – winter 2015
Graeme Patterson. Secret Citadel
No. 109 – winter 2015
The Human Factor. The Figure in Contemporary Sculpture, Ralph Rugoff (ed.)
No. 109 – winter 2015
Camp Fires. The Queer Baroque of Léopold L. Foulem, Paul Mathieu, Richard Milette. (Edited by Paula Sarson)
No. 109 – winter 2015
Raqs Media Collective: Casebook.
No. 108 – fall 2014
Renewing Sculpture’s Possibilities
No. 108 – fall 2014
Sculpture, You Ask?
No. 108 – fall 2014
Man and Machine in Sculpture and in War Alike
No. 108 – fall 2014
Soundscape as material
No. 108 – fall 2014
Metaphorical Spaces : An Interview with James Nizam
No. 108 – fall 2014
Monoceros: of the Earth, for the Stars (a meditation on the concretized magyck of FASTWÜRMS)
No. 108 – fall 2014
The space that remains : an interview with Guillaume La Brie
No. 108 – fall 2014
Derya Akay: Material Hangings, Hangouts
No. 108 – fall 2014
If You Are So Smart, Why Aint’ You Rich?
No. 108 – fall 2014
Hua Jin: Conversing in the Passing of Time
No. 108 – fall 2014
RM Vaughan, Compared to Hitler: Selected Essays
No. 107 – spring-summer 2014
New Espace, New Perspectives
No. 107 – spring-summer 2014
Beyond sculpture, the shadow ?
No. 107 – spring-summer 2014
Sculpture today: Somewhere between enclosure and expansion
No. 107 – spring-summer 2014
The possibles of sculpture
No. 107 – spring-summer 2014
Jeff Thomas. Reclaiming One’s History in Public Space
No. 107 – spring-summer 2014
Confronting destinies: Pierre Huyghe and Philippe Parreno
No. 107 – spring-summer 2014
Bozica Radjenovic. Unraveling Tension
No. 107 – spring-summer 2014
Gareth Lichty. Gabion Tower
No. 107 – spring-summer 2014
Heteropolis. Published by Adaptive Actions
No. 107 – spring-summer 2014
Stephen Wright, Toward a Lexicon of Usership
No. 106 - winter 2013
Claes Oldenburg & Coosje Can Bruggen. Public Sculpture, Architecture and Urbanism
No. 106 - winter 2013
The Illuminated Cave. Dale Chihully’s Exhilarating Shadows
No. 106 - winter 2013
The Ar(t)chitecture of Tadashi Kawamata: Between disruption and reconciliation
No. 106 - winter 2013
Yam Lau: A World is a Model of the World
No. 106 - winter 2013
Peter Hutchinson – With Nature in Mind
No. 106 - winter 2013
Anna Frlan: Interbellum III
No. 106 - winter 2013
Tino Sehgal. Esse est percipi—To be is to be perceived 1
No. 106 - winter 2013
Richard Clements’ Day Treadeth On Night
No. 106 - winter 2013
Ai WeiWei: According to What?
No. 106 - winter 2013
Philip Monk, Glamour Is Theft : A user’s guide to General Idea, 1969-1978
No. 105 - fall 2013
The Spectacle of Art
No. 105 - fall 2013
Articulated Intersect and the Spectacle System
No. 105 - fall 2013
Center Stage: Recuperating the object in Debordian discourse
No. 105 - fall 2013
The End of the Comet? (Interview with René Blouin)
No. 105 - fall 2013
Ghost stories..
No. 105 - fall 2013
Clint Neufeld: Pipe Dreams of Madame Récamier
No. 105 - fall 2013
Andrea Carvalho, Made to Measure: and more ideas on space
No. 103-104 – spring-summer 2013
Mapped Space: Walking, Travelling, Sculpting
No. 103-104 – spring-summer 2013
Mark Lombardi’s Topographies of Power: The Work in the Map
No. 103-104 – spring-summer 2013
The Imaginary Cartographic World in Contemporary Art 1
No. 103-104 – spring-summer 2013
Cartography and Contemporary Art. “The Body of the Place.” 1
No. 103-104 – spring-summer 2013
Réal Patry : Private Properties
No. 103-104 – spring-summer 2013
Geolocation: You Are Here
No. 103-104 – spring-summer 2013
Depart, Remain; Nostalgia and Melancholy in the Work of Jean-Yves Vigneau
No. 103-104 – spring-summer 2013
Atlas of Movements: the Montreal Walks (interview with Christoph Fink)
No. 103-104 – spring-summer 2013
New Problematics of the Ephemeral
No. 103-104 – spring-summer 2013
Ingrid Bachmann. On Truth and Lies in the stricto sensu
No. 103-104 – spring-summer 2013
Roland Poulin: Ultime dialogue
No. 103-104 – spring-summer 2013
Penelope Stewart: Apian Screen
No. 103-104 – spring-summer 2013
Lyla Rye: Cyclorama
No. 103-104 – spring-summer 2013
José Luis Torres: Autoconstrucciones
No. 102 - winter 2012
Restoring Sculpture
No. 102 - winter 2012
Conservation, a Collaborative Act between the Artist and the Conservator
No. 102 - winter 2012
Daniel Buren, Les deux plateaux. A Controversial Restoration
No. 102 - winter 2012
Restoring Public Sculpture in Montréal (Interview with Snejanka Popova 1)
No. 102 - winter 2012
Restoration of a Remarkable Corpus by Sculptor Pierre-Noël Levasseur
No. 102 - winter 2012
On the Public in Art: Decompartmentalization and Transgression
No. 102 - winter 2012
From N.E. Thing Co. to Gold, Silver & Lead
No. 102 - winter 2012
Zeke Moores: Constructs
No. 101 - fall 2012
The Great and the LITTLE World: On the Scale of Excessive
No. 101 - fall 2012
The Call of Excessiveness. On the Works of Jérôme Fortin and Guy Laramée
No. 101 - fall 2012
The Miniature and the Boundless
No. 101 - fall 2012
Megalomanias: Architecture, Urbanism and Their Fictions
No. 101 - fall 2012
Newton & Helen Mayer Harrison: How Big is Here?
No. 101 - fall 2012
Greg Payce: Illusions
No. 101 - fall 2012
The Passion of the Patenteux
No. 101 - fall 2012
Eco-Art
No. 58 - Winter 2001-02
Sculpting the Imagination : an interview with Raymond Gervais