[text available in French only] Michelle Drapeau is a candidate for the Master’s degree in Art History at Laval University, an independent curator and cultural worker from Moncton (NB), based in Quebec City and publishes here a review of the MNBAQ’s exhibition “COZIC.
[text available in French only] Anna Brunette is a master’s student in art history at UQAM and publishes here a review on the two recent Axeneo7 exhibitions: Alexis Bellavance’s “Compressions : tables préparées” and Sarah Wendt + Pascal Dufaux’s “Quelque
[text available in French only] Laurent Vernet holds a Master’s degree in art history and a doctorate in urban studies and publishes here a review on the forum entitled “L’art public à l’épreuve de la commémoration corrigée” at Bibliothèque et Archives nationales
In his Natural History (77 CE), Pliny the Elder, admiring the many varieties of coloured glass, notes that “the highest value is set upon glass that is entirely colourless and transparent, as nearly as possible
Clearly, the word “transparency” is increasingly present now in the discourse of public administration, business ethics, and in all forms of goods and services. Not a day goes by without this notion (…)
[text available in French only] Sophie Guignard, a doctoral student in art history at the Université du Québec à Montréal (UQAM) publishes a review of the 10th edition of the Rencontres photographiques en Gaspésie.
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In Granma, history, of the grand forward-marching and/or circle-turning variety, and narrative threads of the everyday and mundane sort overlap, intertwine and interweave to form a tapestry centred on the heritage of the Cuban revolution. At once intimate and (…)
[text available in French only], the art critic Karine P. Bouchard publishes a review of the different sound art installations in public spaces as part of the 2019 edition of the Festival International de Musique Actuelle de Victoriaville (FIMAV).
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[text available in French only], the critic (and member of the Editorial comity of ESPACE art actuel magazine) Mathieu Teasdale publishes a review of the play Quasi niente, by playwrights (and actors) Daria Deflorian and Antonio Tagliarini. The show is presented as part of the
[text available in French only], the critic (and member of the Editorial comity of ESPACE art actuel magazine) Mathieu Teasdale publishes a review of the play Tous des oiseaux, by the author and playright Wajdi Mouawad. The show is presented as part of the 2019
[text available in French only], the art critic and curator (and member of the Editorial comity of ESPACE art actuel magazine) Bénedicte Ramade publishes a review of the play Kalakuta Republik, by the artist and choreographer Serge Aimé Coulibaly. The show is presented as part
Like all handmade objects, artworks will sooner or later disappear. Hannah Arendt, in her essay “The Crises in Culture,” states very well that as a cultural object, its status above all (…)