Venice, Italy
23 April 2022 –
27 November 2022
The 59th Venice Biennale presented the work of 213 artists from 58 countries, and was an exciting event for many reasons, not least of which was because
In an essay titled “Der Erzhäler,” translated into English as “The Storyteller,” philosopher Walter Benjamin (1892–1940) offers a stunning proposal concerning experience and wisdom. Taking a work by Russian storyteller Nicolai Leskov (1831–1895) as an
Miles Greenberg’s most recent project Late October took place at Arsenal Contemporary Art Toronto late last Fall. Precious Okoyomon’s poem “Late October” appeared as a sort of precursory libation at the entrance to the exhibition.
Russian and U.S. film industries recently got involved in a rivalry regarding the release of a film, several scenes of which were filmed in the International Space Station (ISS). Even if the ISS has
The Museum Is Not Enough is the intriguing title of a book intended to be the first part of a collective reflection that the team at the Canadian Centre for Architecture instigated, regarding the
For the past 7 years, Eli Kerr has been committed to producing exhibitions through emerging alternative models in Tiohtià:ke/Montréal’s contemporary art scene. After working for a few years as cofounder with Daphné Boxer of VIE
If there is an urgent matter that must dominate government decisions from now on all over the world, but more precisely those of the industrialized countries such as Canada, it is certainly the one linked
With the dismantling of monuments of controversial figures, calls to change the names of streets and public places, as well as protests seeking a just recognition of minority groups, the public sphere, associated with the
Through the diverse textual, performative and material forms that characterize her practice, karen elaine spencer has developed over the last 30 years a dense corpus (…)
Massimo Guerrera uses different mediums, such as drawing, writing, sculpture, photography, installation and performance, to explore the fertile space of interaction and interior shifts that exists between (…)
Unless you are Robinson on his desert island, the arrival of Covid-19 and the current public health crisis along with the ensuing debate, notably on its origins, has reminded us of an obvious fact that (…)
Cliff Eyland: You are known to your peers as a high-tech artist, artists are never at the cutting edge of technology—it’s the military-industrial simplex (my term) that always gets there first. Thoughts? (…)